Subwoofers are overrated. Yes, they are the very last piece of a good setup, but decent 6" bookshelves go down to 60Hz without any problems and all you're really missing at that point are the sort of noises that only tolerant neighbours will permit anyway.
Wow! No doubt that is an opinion
not shared by most who enjoy, and expect true quality audio from their sound systems. Much of the appeal of thundering bass is the "thundering" - the "feel" coming from "all around you", only achievable by moving massive amounts of air - only achievable through a BIG "driver" - typically a large cone speaker with a large "throw" (front to back movement range), being "driven" by quality, powerful amplification.
I am glad, and much appreciate you emphasized the subjectiveness of this by saying,
enough bass to satisfy me (and that 'me' is important because audio perception is so subjective it's ridiculous).
So thanks for that!
But no doubt again, those who appreciate true, full range audio would not consider their investment in their gear, or the audio it reproduces, "ridiculous". But again, I appreciate you note that is your opinion - it is just not one I share.
To be sure, there is much audio "information" well below 60Hz that many listeners not only enjoy, but expect to hear and feel. I note there is a good reason they are called "sub" woofers as "sub" generally means below the range of typical human "hearing" perception. But make no mistake, that does not mean the audio cannot still be perceived. There is sound, including sound enriching
harmonics down in those frequencies - harmonics that contribute to turning simple sound into beautiful, audiophile quality "music".
It should be noted too, especially in "home theater" environments, subwoofers often are not referred to as subwoofers. Instead, they may be called LFE or "low frequency effects" speakers. This is because booming explosions, rumbling alien space ships (that manage to produce sound in the vacuum of space!!!
), Ork forges, and other very low frequency sounds need to be accurately reproduced if you really want the full experience of the movie the movie makers wanted us to experience.
"Studio monitor" refers to a class of semi-audiophile speaker that includes its own amp.
Ummm, sorry but not even close.
Sadly, these days the term "studio monitor" has been greatly abused by marketing weenies and as such, is often used as a misleading marketing term.
However, in sound engineering circles and professional recording studios, a genuine "studio monitor" speaker is one that does not have internal amplification. Most importantly, it does NOT emphasis any frequency or frequency range to make it sound "brighter" in the mid to high-end (treble) range or more "boomy" in the low-end (bass) range, - depending on how it is being marketed.
A genuine studio monitor has a "flat", no boost, uniform response across its entire frequency range. This is to ensure the musician and sound/recording engineers hear the "
reproduced" audio exactly as the audio was "produced". For more information, see
Studio monitors Vs Regular Speakers: There’s a Big Difference – Musicians HQ
60Hz... ...all you're really missing at that point are the sort of noises that only tolerant neighbours will permit anyway.
Totally not true. Between 20Hz and 60Hz there is lots of important, clearly audible, audio information that greatly enriches music and the entertainment value of movie soundtracks.
For those who want to hear what is possible below 60Hz, listen to this:
20Hz to 20kHz (Human Audio Spectrum) (youtube.com). If you want to hear and feel, play it though a quality, full range audio system.
Here's another:
35 Sine Tones *For Audio Engineers* (youtube.com) (note this is a 35 minute video and for me, my ears, and the speaker system on this computer, I don't sense any sound until about 5 minutes in when it steps to 31.5Hz.
but still rated at something like 150W RMS.
It is important to note that wattage (or loudness) capability is NOT a "quality" spec. That is, just because one speaker can handle 150W while another can only handle 100W, for example, that does not mean the 150W will reproduce more accurate audio. It does, however, mean the 150W speaker can reproduce a frequency accurately at a higher SPL (sound pressure level) or volume (without adding excessive distortion). And that may very well be a desired capability - but again, does not mean it is a more accurate reproduction.
You just totally missed my point. Good small speakers like the B&W MM-1's can very well be full range
First and foremost, I am VERY familiar with B&W speakers and no doubt, they product some of the best in the industry - hands down. But I did not miss your point. I have heard the MM-1s and they are excellent speakers. But sorry! You are simply wrong to suggest the most excellent MM-1 are "full range".
are you really saying that a company like B&W don't care enough about their brand that they won't make sure anything they make is good?
Come on! Don't be silly. And don't read into comments things not said!
I never said, suggested or implied B&W does not make "good" speakers. But are you seriously going to claim those tiny $500 MM-1 speakers can reproduce the full range sound stage as a pair of B&W 801D4 Signature speakers that cost $55,000 a pair? Come on! Don't be silly. Keep your argument in perspective, okay?
And let's go back to my original point I made way back in post #7,
Having said that, considering a 1/2 way decent home audio system can cost $1000 (or several times more) for just the unpowered front left speaker, do not think for a second that anything you buy marketed as a computer speaker is high fidelity.