Sunday, December 19th 2021
An "Audiophile Grade" SSD—Yes, You Heard That Right
A company dealing with niche audiophile-grade electronics on Audiophile Style, a popular site and marketplace for the community, conjured up an SSD that it feels offers the best possible audio. Put simply, this is an M.2-2280 NVMe SSD with a fully-independent power delivery mechanism (one that's isolated from the motherboard's power delivery), and an over-the-top discrete clock-source for its controller. The drive has its own 5 V 2-pin DC input and switching hardware onboard, including [get this] a pair of Audionote Kaisei audio-grade electrolytic capacitors in place of what should have been simple solid-state SMD capacitors that are hard to even notice on any other drive. It doesn't end there.
Most NVMe SSDs have a tiny 2 mm x 2 mm SMD oscillator that's used by the controller for clock-generation. This drive features a Crystek CCHD-957 high-grade Femto oscillator. These oscillators are found in some very high-grade production or scientific equipment, such as data-loggers. For the drive itself, you get a Realtek DRAM-less controller, and a single 1 TB TLC NAND flash chip that's forced to operate in SLC mode (333 GB). On a scale of absurdity, this drive is right up there with $10,000 HDMI cables. Digital audio is stored in ones and zeroes, and nothing is accomplished through an isolated power delivery or clock generation on the storage media. It's nice of the designers to include jumpers that let you switch between the discrete power source and motherboard power; so listeners can see the snake-oil for themselves.
Sources:
Audiophile Style, HotHardware
Most NVMe SSDs have a tiny 2 mm x 2 mm SMD oscillator that's used by the controller for clock-generation. This drive features a Crystek CCHD-957 high-grade Femto oscillator. These oscillators are found in some very high-grade production or scientific equipment, such as data-loggers. For the drive itself, you get a Realtek DRAM-less controller, and a single 1 TB TLC NAND flash chip that's forced to operate in SLC mode (333 GB). On a scale of absurdity, this drive is right up there with $10,000 HDMI cables. Digital audio is stored in ones and zeroes, and nothing is accomplished through an isolated power delivery or clock generation on the storage media. It's nice of the designers to include jumpers that let you switch between the discrete power source and motherboard power; so listeners can see the snake-oil for themselves.
160 Comments on An "Audiophile Grade" SSD—Yes, You Heard That Right
Comparing the two options of: ’async source -> DAC’ and ’async source -> i2s transmitter -> DAC’.
I really don’t see any, but maybe I have missed something. But the cache latencies are not a problem at all in this use case. They just add additional consistent latency to the overall signal chain. You can get constant latency memory chips, clocked to the DACs master clock. The frames can be connected together, and reading can happen sequentally based on memory address. I guess programming isn’t your strong suite, if you think that the size of a data structure makes it more complex in itself. It was added, so that the computers inaccurate clocks would be disconnected from the audio output. In USB audio 1 that was a real problem, and it was solved via the means of data science in usb audio 2. The only downside of that was the need to increase minimum buffer size of the DAC, making them less real time. For most use that does not matter. It solved everything for most users. Real time users have moved to thunderbolt. I2s as an external interface is just some audiophile marketing bullshit and ”solves” nothing.
If it were just marketing bullshit its years and years of work to develop, test, manufacture it. Despite whatever you may think of its technological merits or goals developing any new product from scratch is hard let alone one that uses new and largely proprietary interfaces and protocols (in a new way). There are far, far easier ways to market bullshit than to go through all that effort especially in the audio world.
If no definitive benefits have been proven to exist, then why the hell has money been pumped into this? Yup. And until someone determines with credible methods that something exists, then it probably doesn’t. Or at least we should not base things on the premise that it does.
edit: but yeah, we have very fundamental differences in the way we think about stuff. You seem to think that if something isn’t proven to not exist, that it might exist. I think that if something is thought to exist, it needs to be able to be proven.
That’s all. Proving negatives doesn’t really work for anyone, so it’s maybe best to tap out.
I couldn't find any information about the Ares II (or any other DAC) having anything particularly special going on with its buffer. Yeah, I mean I'm with you but who would certify such a test and who's the target audience. (digital) Audio enthusiasts that have a half way decent understanding of how data transfer works, and the differences in a digital real time stream (I'm pretty much at my limits in being able to talk about this from a technical perspective)? Its just a such a minuscule small number of people that would care or know what is being presented to them that I don't think it would make any difference one way or another. Most people are in one of two camps; its "just 1's and 0's all DACs sound the same" or are only interested in subjective interpretations of in the form audiophile vernacular. Yeah, I think we maxed it out, and I don't think anyone else is following along anymore. I'm not trying to be right here just learn.
I gave up on high-end audio like 8-10 years ago when it seemed like the consensus was a $150 DAC could be "bit perfect" if it was configured correctly and its all 1's and 0's anyway so anything beyond that point literally doing nothing. That notion never made sense to me but was insanely frustrating knowing what a $150 speaker sounds like vs what a $1,500 speaker yet all DACs are the same? Didn't really matter then as I didn't have the resources to buy anything much more than a $150 DAC anyway so kinda moot and no reason dwell on it.
Thats just a bit of context into motivation of my thought process. As to what exists or doesn't, ideally yeah prove it but most people either care about "how it sounds" and a much smaller subset just want "proof". It seems like most people that claim to be looking for proof are just looking any kind of data to prove their point that there is no difference and probably wouldn't be moved regardless of what was presented to them. I don't think there are enough people that both genuinely interested and know enough to have a conversation like we are here to really move the needle either way. Thats my cynical impression of the state of the issue though I guess.
No tests means just that, "no tests" not "no improvement". The tests have to get better to show the improvement or lack thereof. Sure they are assumptions but without the proof you require thats all there is left.
It very well could all be marketing but the notion that people (engineers, project managers, ect.) are going to devote their education (in the case of the engineers at least), career, and thousands of hours to develop high performance equipment that makes no appreciable difference, makes absolutely no logical deductive sense. It could also be a shared delusion and the words biggest example of confirmation bias but for the same underlying reasons it seems unlikely, and the fact that regardless of what you think of their design objectives achieving them required a lot time and effort by people from a highly skilled technical background. Just get a job in the sales and marketing department for one of the many brands owned by Sound United if you want to make bank or find a real religion if you need to believe in something. To you. Do you only buy wine or coffee thats gone through blind tests and proven to be the best? Personally I just buy what tastes good to me. Most people don't base their decisions on what has been proven in blind studies in general. Its even less practical in audio due to the possible variations and individualism of audio.
Like I already mentioned I would like to see some really good tets in this area. It should be doable on a smaller scale (it wouldn't be statistically meaningful though) with a few subjects on gear they are familiar with. Who do we talk to lol?
There could still be a difference, sure, but to which direction is it? No one knows. Almost as much sense, as doing all the work and then ”forgetting” to test if it made a difference… I do blind tasting of drinks to find out what I _actually_ like. It’s a fun hobby and shows how bias is king. And it’s anyway a poor comparison, as wine taste differences can actually be consistently detected by humans in blind testing, unlike differences between functioning USB cables. The burden of proof should be on the ones making claims. Harman audio does a bunch of testing on audio related things, but tend to focus on actual things that could matter, like eq, speaker element types etc. USB for the most part works asynchronously, treating the computer much like a file storage, and no timing information is transmitted over it. Spdif is as you said. I2s is a physical layer protocol for transferring data. PCM is a data format. How much better? Enough to get a better outcome, compared to more robust signaling and error handling of USB? Got any tests to link, or is this just an uninformed opinion?
Sound quality is then just a matter of the timing of the values being fed in, and some basic things like noise, cross talk etc.
Timing wise, the only thing that matters is the last clock that feeds samples to the DAC, and that we don’t run out of data in the input buffer.
Any ”deeper” knowledge to DAC designs is completely unnecessary as far as this discussions topics are concerned (async vs. sync transfer of data to the input buffer). As long as the buffer next to the DAC is not empty at any time, it is impossible to hear a difference between the data acquisition methods. This is because they are not influencing the last clock in any way, nor the data itself. And even then, any difference in sound would be because of bad design, not whether we have sync or async input of data next to the DAC chip.