Sunday, December 19th 2021
An "Audiophile Grade" SSD—Yes, You Heard That Right
A company dealing with niche audiophile-grade electronics on Audiophile Style, a popular site and marketplace for the community, conjured up an SSD that it feels offers the best possible audio. Put simply, this is an M.2-2280 NVMe SSD with a fully-independent power delivery mechanism (one that's isolated from the motherboard's power delivery), and an over-the-top discrete clock-source for its controller. The drive has its own 5 V 2-pin DC input and switching hardware onboard, including [get this] a pair of Audionote Kaisei audio-grade electrolytic capacitors in place of what should have been simple solid-state SMD capacitors that are hard to even notice on any other drive. It doesn't end there.
Most NVMe SSDs have a tiny 2 mm x 2 mm SMD oscillator that's used by the controller for clock-generation. This drive features a Crystek CCHD-957 high-grade Femto oscillator. These oscillators are found in some very high-grade production or scientific equipment, such as data-loggers. For the drive itself, you get a Realtek DRAM-less controller, and a single 1 TB TLC NAND flash chip that's forced to operate in SLC mode (333 GB). On a scale of absurdity, this drive is right up there with $10,000 HDMI cables. Digital audio is stored in ones and zeroes, and nothing is accomplished through an isolated power delivery or clock generation on the storage media. It's nice of the designers to include jumpers that let you switch between the discrete power source and motherboard power; so listeners can see the snake-oil for themselves.
Sources:
Audiophile Style, HotHardware
Most NVMe SSDs have a tiny 2 mm x 2 mm SMD oscillator that's used by the controller for clock-generation. This drive features a Crystek CCHD-957 high-grade Femto oscillator. These oscillators are found in some very high-grade production or scientific equipment, such as data-loggers. For the drive itself, you get a Realtek DRAM-less controller, and a single 1 TB TLC NAND flash chip that's forced to operate in SLC mode (333 GB). On a scale of absurdity, this drive is right up there with $10,000 HDMI cables. Digital audio is stored in ones and zeroes, and nothing is accomplished through an isolated power delivery or clock generation on the storage media. It's nice of the designers to include jumpers that let you switch between the discrete power source and motherboard power; so listeners can see the snake-oil for themselves.
160 Comments on An "Audiophile Grade" SSD—Yes, You Heard That Right
With cables from a objective perspecitive (and of course this had to come up...) its about rejecting EMI and keeping signal integrity. Naysayers will say that the EMI operates at frequencies beyond human hearing and therefor can't have an impact. That EMI impacts everything in the process though. A cheap poorly shielded interconnect will be more susceptible to interference than a quality shielded one. You could use coat hangers or whatever ridiculous example you want to come up with but anything ferromagnetic is going to interfere with the signal, thats not really debatable. Super fancy braided multi-conductor cables cut down on that even more and people say they can hear a difference but whatever the gains are they are marginal and really the last thing you should be looking at.
Read comprehend then post. EMI doesn't change the audio signal, its digital and thus can be corrupted, but too much corruption will result in CRC errors and... things not working.
If you or anyone wants to buy a better USB cable cause it has better looking ends, its shiny, it matches your color scheme, you want it for some subconscious primal reason.... feel free to do so. But don't try and sugar coat your personal preference as scientific truth without expecting pushback.
As to USB, a DAC operates in the digital and analog domain its not just 1s and 0s, any noise introduced in the system an manipulate the system in terms of noise and jitter. There are design techniques to largely mitigate those issues but no system is perfect so the best solution is to not introduce those issues into the system in the first place. That would be the theory behind a high-end audio USB cable.
I don't own any high-end cables or advocate that anyone should buy them, I don't think my system is good enough or setup well enough nor do I think they worth the money spent on the potential benefit. I'm trying to draw a line but what is clearly a scam (this SSD) and what can make a difference, though through very high diminishing returns.
Unless you are living inside a microwave oven, the 1m usb cable you use to connect your PC to the DAC is not long enough to introduce problems even if it was completely unshielded, regardless of the DAC.
nope, just because its digital, doesnt mean it "works or doesnt".
im talking about switching the TYPE of hdmi cable (not brand/quality), one being 1.4, one being certified for 2.0.
customer had upgraded media room, and the new UHD/media player (running 4k/2k from disc or usb),
had issues with picture/sound, as well as not properly responding to remote input.
updated the customer tv and the bd player, no change.
Tried 2 different remotes (even one from 2k player), nothing, while the customers remote would work on my (demo) display.
then decided to run a "certified" 4k cable (2.0), and all problems were gone.
tested the same (1.4) cable with three different tvs (2k/4k) using 1080p BD player without single issue,
so i know it wasnt broken, and i actually kept it for demo use (swapped with customer).
The customer location might have had tighter bends in the cable, more EMI or other stuff that made the difference to the other location.
what the ”high end” folk say, is that changing the cable changes how things sound or look, which is utter nonsense.
by using another 1.4 later on (with a different player of same model with same outcome),
and even if it was, how do I have the same trouble/interference, 15 mls away from his home?
(if you read my post again) it DID work, as image/sound was coming up now and then,
so the "digital works or doesnt", is incorrect.
Your view point that it isn't audible is totally valid view point but for those that claim they can hear a difference and purported reasons why are equally valid view points. Its not the same as this audiophile SSD or a audiophile network switch, that stuff is nonsense.
Again I'm not promoting the idea of high-end digital audio cables, my NuForce DAC on my desktop and my Pioneer A9 are both USB DACs and are connected via Amazon and Belkin cable respectively, they are shielded and seem well made so they seem good enough to me. At some point I'll see if I can get a deal on "high-end" USB cable on the used market because I'm intellectually curious about it but I need to build some better speakers first and do some room treatments. My expectations are low.
This is completely different than the implications of cable quality between a source and DAC.
"I want to Believe"
An oscilloscope probe measuring a digital signal can only measure up to its rated frequency before its sensitivity is reduced, they have a -3dB rating where the probe is rated to have lost half its sensitivity by the stated frequency.
It works until it doesn't, not, it works or it doesn't.
the important thing is that in reality it is extremely easy to know if it works or not, where as these ”high end” people think that changing a digital interconnect will affect the colours on your tv, or how the music sounds.
The signal is digital, if it gets from the source to the destination without errors then its all the same regardless of what cable you use, thats not in for debate. Drawing comparisons with a TV is not applicable because thats digital all the way through from your source to the processor driving the pixels in the panel. A audio DAC is operating in the analog domain and thats why the cable is a factor. The cable is just another component of the DAC really and any cable that is susceptible to picking up noise and interference is going to have some kind of impact. DAC chips can and will sound differently (better / worse than one or the other) based on how the chip is implemented. It all comes down to how well the circuit is designed, how good the power supply is, and how much noise you are or are not introducing into the system.
Is it going to make a huge difference?, no but it would be similar to the differences of one ESS Sabre power with cheap switching PSU and one that uses and analog toroidal PS. Diminishing returns, marginal gains for sure and probably the last thing anyone should look at but simply saying there can't be a difference because is all 1's and 0's is also wrong.
Your claim that people can differentiate (modern) DAC chips is completely unfounded. The current ones have snr so good that it really is impossible to differentiate them by using hearing alone.
Badly designed products can be identified, but it requires non-flat frequency response, or snr of less than 90 dB (and it gets easy only after 70 dB). Some DACs also do some unnecessary digital processing that can be heard, and there are test methods for determining if that is the reason people hear differences between given DACs.
Incidentally here is my favourite DAC, not cheap like.
www.whathifi.com/nagra/hd-dacmps/review
Its super hard to just isolate just a DAC and do a blind test and have people hear the differences between different sources (or any other single component for that matter) when they are not familiar with the rest of what they are hearing and/or what they are listening to/for.
I think the best test I've seen is from Archimago's Musings is super long and detailed but I think its really about the only way to do a test like this if you want statistically meaningful results.
This test is super hard to pass even with the shittiest of DACs in the signal path. I can post some examples later if you are interested. Light isn’t digital, and modern DACs are basically just some DSP and PWM anyway.
From my perspective the difference between any good DAC is going to be small to begin with so if you aren't familiar with the rest of the system and reference material its pretty close impossible. You need to be familiar with the rest of the gear, the room, and material so that means people listening on their or stuff in their own room (or at least one they are very familiar with) and with music they know well. There is also a threshold in quality to the rest of the system that determines whether or not you are going to be able to hear a difference, a $500 setup from Best Buy isn't going to be good enough to resolve any difference.
I am interested, but I'll be more interested after I've done more testing on my own. Right now I have three DACs (all USB) a Burr-brown in my Pioneer integrated in the living room, a nuForce Icon on my desktop setup and I have a cheap Behringer UCA202 to move around with. I've tested the Behringer against the built in DAC in the Pioneer which is powering custom DIY TriTrix MTs and I don't really hear anything different but I didn't spend alot of time with it either. The TriTrix are also a budget design and while they sound better than anything I've heard sub $500 I plan on building better stuff in the near future. I recently just got some KRK monitors and a JBL sub for my desktop setup so it might be worth trying between the Behringer and Icon in that setup. No the light isn't digital but all the processing is digital until the light gets emitted from the pixels.
With audio the DACs output is analog, which is going to a analog pre-amp, an analog amplifier, and then the transducer (speakers or headphones). The DAC is operating in the analog domain which is why all of this matters.